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Creative Seduction

创造性的诱惑

“When you gaze into TikTok, TikTok gazes into you,” wrote Eugene Wei, a tech blogger, in 2020, explaining the almost clairvoyant nature of TikTok. What the algorithm sees as it gazes into your columnist, a neophyte user, is anyone’s guess: a random feed delivers tips on how to design a ball gown, someone barking at a dog, Rod Stewart with a hankie on his head, and (phew!) Maya Angelou reciting “Phenomenal Woman”.

“当你盯着TikTok时，TikTok也在盯着你，”科技博主魏某某(Eugene Wei)在2020年解释TikTok几乎具有洞察力的特性时写道。当你的专栏作家——一个新手用户——被算法盯着时，它看到了什么，这是所有人的猜测:一个随机的feed提供如何设计舞会礼服的提示，有人对着狗叫，罗德·斯图尔特头上戴着一块手帕，还有(唷!)Maya Angelou朗诵“非凡的女人”

Schumpeter is quite clear, however, about what he sees in TikTok. It is not just the busty seductiveness of many of the clips that he cannot help noticing. It is the serious money changing hands. And the unmistakable thrill of creative destruction.

然而，熊彼特很清楚他在TikTok看到了什么。他不禁注意到的不仅仅是许多视频中丰满的胸部。这是一场严肃的金钱交易。以及毫无疑问的创造性毁灭带来的快感。

About time. Just five years after its birth, TikTok claims to have exceeded 1bn

monthly users, despite a ban in India. On January 12th App Annie, a data gatherer, said TikTok caught up with Facebook in 2021 and overtook WhatsApp and Instagram in time users spent on it. Notwithstanding a judge’s decision on January 11th to allow America’s Federal Trade Commission to sue Meta, the social media trio’s parent company, on antitrust grounds, TikTok’s success appears to mock the argument that Facebook is impregnable.

关于时间。在诞生仅5年后，TikTok宣称其每月用户 内容过长，仅展示头部和尾部部分文字预览，全文请查看图片预览。 s to permeate America. At a time when China is arbitrarily cracking down on the consumer-tech industry, it is especially gratifying to witness Chinese free enterprise and ingenuity grab the world’s attention.

这是一件好事。TikTok是中国视频社交媒体领域的先锋，这些领域花了多年时间才渗透到美国。在中国任意打击消费科技行业之际，看到中国的自由企业和创造力吸引了世界的注意，尤其令人欣慰。

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